Estelle Getty
1923-2008
Only one woman was ever tough enough to play mother to both Harvey Fierstein and Beatrice Arthur.
Two of Sophia's finest moments:
Showing posts with label Farewell. Show all posts
Showing posts with label Farewell. Show all posts
Tuesday, July 22, 2008
Thank you for being Sophia.
Only one woman was ever tough enough to play mother to both Harvey Fierstein and Beatrice Arthur.
Tuesday, January 22, 2008
Thursday, December 27, 2007
Michael Kidd 1915-2007
Here's what you need to know about Michael Kidd:
The 1953 Broadway musical Can-Can (1953) featured Gwen Verdon, who stopped the show cold with Kidd's "The Garden of Eden Ballet" on opening night and promptly went back to her dressing room to change costumes. So great was the audience's ovation that she was rushed back onstage to take another bow - clutching her costume in front of her, as she had not quite finished changing. Verdon won the Tony that year - her first of four - and became a star overnight Credit the dancer for the performance. Credit the choreographer for the dance.
Kidd also won a Tony Award for Can-Can - his third of five. The others were Finian's Rainbow (1947), Guys and Dolls (1950), Li'l Abner (1957) and Destry Rides Again (1959).
(Complete Broadway credits here.)
Kidd was one of the few choreographers (Fosse was the only other, really) to work successfully both on Broadway and Hollywood. His Guys and Dolls dances were re-created for the 1955 film. Other films include The Band Wagon, Star!, Hello, Dolly! and something about a bunch of horny backwoodsmen...
And on top of everything else, he was in Smile.
New York Times obit.
The 1953 Broadway musical Can-Can (1953) featured Gwen Verdon, who stopped the show cold with Kidd's "The Garden of Eden Ballet" on opening night and promptly went back to her dressing room to change costumes. So great was the audience's ovation that she was rushed back onstage to take another bow - clutching her costume in front of her, as she had not quite finished changing. Verdon won the Tony that year - her first of four - and became a star overnight Credit the dancer for the performance. Credit the choreographer for the dance.
Kidd also won a Tony Award for Can-Can - his third of five. The others were Finian's Rainbow (1947), Guys and Dolls (1950), Li'l Abner (1957) and Destry Rides Again (1959).
(Complete Broadway credits here.)
Kidd was one of the few choreographers (Fosse was the only other, really) to work successfully both on Broadway and Hollywood. His Guys and Dolls dances were re-created for the 1955 film. Other films include The Band Wagon, Star!, Hello, Dolly! and something about a bunch of horny backwoodsmen...
And on top of everything else, he was in Smile.
New York Times obit.
Monday, March 12, 2007
Betty Hutton (1921-2007)
Betty Hutton, Paramount's incendiary blonde bombshell has died.Most of the biographical information I know about her is in her entry on imdb, which you can read in its entirety, here.
Turner Classic Movies will pre-empt its scheduled programming on Wednesday (3/15) from noon through 8:00 pm (Eastern) for a memorial salute to Hutton. Click here for details. If you can, try and catch Robert Osborne's Private Screenings interview with her at 7:00. Hutton led a turbulent life and she speaks of it rather candidly.
I've been a Betty Hutton fan for most of my life, having seen Cecil B. DeMille's 1952 circus epic The Greatest Show on Earth when I was a kid. That movie holds the distinction of being the second worst Best Picture Academy Award-winner (right behindMichael Todd's Around the World in 80 Days in 1956), but it's still a great deal of fun. Hutton plays a trapeze artist in love with circus owner (or manager or something) Charleton Heston. She's finally earned the star spot in the center ring, but is bumped when bigger draw Cornel Wilde shows up. So there's your love triangle. Throw in James Stewart, who plays the entire film in clownface; Gloria Grahame as the assistant to an insanely jealous elephant trainer; Balloon Girl Dorothy Lamour (whatever that is); some honest-to-God Ringling Bros. clowns (including Emmet Kelley, who is photographed here for the only time without make-up); and one hell of a train wreck and you get 152 bloated minutes of fun, capped with a severely injured Heston yelling at Hutton, "Judas Priest, woman! You've got nothing but sawdust in your veins!" which can only be topped by our leading lady leading the finale with the film's title song.
She was marvelous in Preston Sturges's The Miracle of Morgan's Creek (1944) as Trudy Kockenlocker, a single girl with an over-protective father (an hysterical William Demarest). In her devotion for doing her part for the war effort, Trudy goes out on the town with some soldiers about to be deployed overseas and wakes up the next morning with a ring on her finger and (as she later learns) a bun in the oven - but no memory of what happened. So she enlists the help of 4-F Eddie Bracken. Another superb satire from Sturges.
Turner Classic Movies will pre-empt its scheduled programming on Wednesday (3/15) from noon through 8:00 pm (Eastern) for a memorial salute to Hutton. Click here for details. If you can, try and catch Robert Osborne's Private Screenings interview with her at 7:00. Hutton led a turbulent life and she speaks of it rather candidly.
I've been a Betty Hutton fan for most of my life, having seen Cecil B. DeMille's 1952 circus epic The Greatest Show on Earth when I was a kid. That movie holds the distinction of being the second worst Best Picture Academy Award-winner (right behindMichael Todd's Around the World in 80 Days in 1956), but it's still a great deal of fun. Hutton plays a trapeze artist in love with circus owner (or manager or something) Charleton Heston. She's finally earned the star spot in the center ring, but is bumped when bigger draw Cornel Wilde shows up. So there's your love triangle. Throw in James Stewart, who plays the entire film in clownface; Gloria Grahame as the assistant to an insanely jealous elephant trainer; Balloon Girl Dorothy Lamour (whatever that is); some honest-to-God Ringling Bros. clowns (including Emmet Kelley, who is photographed here for the only time without make-up); and one hell of a train wreck and you get 152 bloated minutes of fun, capped with a severely injured Heston yelling at Hutton, "Judas Priest, woman! You've got nothing but sawdust in your veins!" which can only be topped by our leading lady leading the finale with the film's title song.
She was marvelous in Preston Sturges's The Miracle of Morgan's Creek (1944) as Trudy Kockenlocker, a single girl with an over-protective father (an hysterical William Demarest). In her devotion for doing her part for the war effort, Trudy goes out on the town with some soldiers about to be deployed overseas and wakes up the next morning with a ring on her finger and (as she later learns) a bun in the oven - but no memory of what happened. So she enlists the help of 4-F Eddie Bracken. Another superb satire from Sturges.
I'll end this with Annie Get Your Gun (1950, George Sidney) because, to be honest, it's the only other Hutton film I've seen. Judy Garland began the film but had to pull out due to illness (she had already recorded the soundtrack, which has had several grey-market releases). Despite her Paramount contract, Hutton actively campaigned for what she knew was a perfect role for her, MGM or no MGM, ultimately winning it and delivering one hell of a star turn.
Wednesday, January 31, 2007
Sidney Sheldon (1917-2007)
Sidney Sheldon was one of the most prolific screenwriters of the 1950s. I can only vouch for the films of his I've seen, but even if they comprised his entire body of work, it'd be one hell of a career.
The Bachelor and the Bobby-Soxer (1947): Academy Award, Best Writing, Original Screenplay
Easter Parade (1948)
The Barkleys of Broadway (1949)
Annie Get Your Gun (1950)
Dream Wife (1953, which he also directed)
He also created the TV series Hart to Hart and I Dream of Jeannie
The Bachelor and the Bobby-Soxer (1947): Academy Award, Best Writing, Original Screenplay
Easter Parade (1948)
The Barkleys of Broadway (1949)
Annie Get Your Gun (1950)
Dream Wife (1953, which he also directed)
He also created the TV series Hart to Hart and I Dream of Jeannie
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