So this Friday, I salute Joan Blondell, one of the very first and very best of the wisecracking blondes.
1930s: Gold Diggers of 1933 (1933, Mervyn LeRoy). Despite the fact that she didn't really sing, Blondell was cast in musical after musical at Warner Brothers in the 1930s. In this one, she pretends to be her roommate, Ruby Keeler, in order to teach Warren William a lesson or two about chorus girls so the real Keeler can keep dating William's younger brother Dick Powell (who was married to Blondell at the time in real life) behind his back. It's a very lightweight Busby Berkeley musical until the finale, "Remember My Forgotten Man," when Blondell leads the entire company in a grandly staged indictment against Herbert Hoover. I miss the 30s.
1940s: Nightmare Alley (1947, Edmund Goulding). Blondell plays a fortune telling carny/scam artist alongside Tyrone Power, who eventually descends into drug-addled madness and is forced to take a job biting the heads off of live chickens. The film did not do well at the time.
1950s: Desk Set (1957, Walter Lang). Blondell works with Katharine Hepburn in the research department at a TV network. Enter computer man Spencer Tracy, who the women suspect of trying to automate them to the unemployment line. Joan and Kate have a terrific scene together getting drunk at the office Christmas party.
1960s: The Cincinnati Kid (1965, Norman Jewison). Blondell plays Lady Fingers, a card dealer who really gets under Edward G. Robinson's skin.
1970s: Opening Night (1977, John Cassavetes). Blondell plays a playwright who has very little patience for Gena Rowlands's existential crisis.
Every single one of these movies is available on DVD, so I just planned your weekend for you. You're welcome.
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